http://revueties.org/entree/index.php?/interview-with-fiona-sampson/introduction/1463- Index de 1980s fr 0 http://revueties.org/entree/index.php?/ties/contemporary-british-poetry-and-the-long-1980s/1381-interview-with-fiona-sampson In this interview, Fiona Sampson examines the impact of Thatcherite deregulation and consumer culture on British poetry from the 1980s onward. She argues that poetry often became polished and defensive, avoiding abstraction and political engagement, while institutional forces—such as key editors and the “New Generation” promotion—both shaped and homogenized the field. Situating these developments within post-war austerity and Britain’s cultural openness to the United States, Sampson also reflects on issues of diversity, noting the marginalization of experimental, African, and Caribbean voices. She concludes that poetic “deregulation” mirrored Thatcherite economics, producing both opportunities and constraints. jeu., 18 sept. 2025 21:56:14 +0200 sam., 18 oct. 2025 17:52:59 +0200 http://revueties.org/entree/index.php?/ties/contemporary-british-poetry-and-the-long-1980s/1381-interview-with-fiona-sampson http://revueties.org/entree/index.php?/ties/contemporary-british-poetry-and-the-long-1980s/1379-introduction This special issue is devoted to contemporary British poetry and the cultural, political, and aesthetic legacies of the “long 1980s.” It takes as its point of departure Sean O’Brien’s 1995 hypothesis on the deregulation of poetry, formulated against the backdrop of Thatcherite economics and the wider turn to neoliberalism. While Thatcher famously insisted that “there is no alternative,” the British poetry of the period and its aftermath have been marked by an insistence on alternatives: a proliferation of forms, voices, and aesthetics that both respond to and resist the dominant culture. The essays collected here explore whether this “deregulation” has fostered poetic innovation—in terms of diction, prosody, rhythm, and form—or whether it has fragmented the field into self-regulating niches, each defined by its own conventions and exclusions. They also examine the institutional, editorial, and cultural contexts that have shaped poetic production since the 1980s, and reflect on questions of authority, diversity, and marginalisation on the poetry scene. Together, the contributions reassess the ways in which deregulation has served as both an enabling and a constraining force in British poetry, illuminating its continuities, its ruptures, and its ongoing negotiation with the long 1980s. jeu., 18 sept. 2025 16:19:16 +0200 lun., 29 sept. 2025 14:05:44 +0200 http://revueties.org/entree/index.php?/ties/contemporary-british-poetry-and-the-long-1980s/1379-introduction